The website has received its monthly links review with only a half a dozen links needing repair due to a small behind-the-scenes architecture restructuring, which were easy to fix once identified. The Groups Billboard which received a dramatic upgrade last month did not get the attention it deserved, and I still need to get the UK section outfitted with both images and group descriptions. The Merchant Roll received some significant work, both in reviewing the entries and adding new ones. Danegeld Historic Jewellery, Gemmeus, Gaukler Medieval Wares, and Nordens Historiska Fynd are now on the merchant list. The list has also undergone a much overdue schism. As described it was meant to be a place for businesses which have secure checkout, which I consider a way to gauge the ‘safety’ of a site in that it uses a digital merchant broker service of some sort. Many suggested retailers who operate websites with contact-direct order forms or who purvey through Facebook or other markets were not included because of the inherent risks in working with a seller one on one.
Today we depart from the high brow philosophizing on reenactment for some pragmatic, hard resources which everyone can use without regard for the subjectivity of best practices or proper procedure. In my previous rendition of this series, I drew the drawings on graph paper with a pencil and pen. Revisiting the project I have upgraded to a basic digital drawing platform called LibreCAD. I am not an engineer, architect, or qualified technical designer and I don’t even play one on TV. They say you don’t know what you don’t know, so I can’t even begin to fathom what these drawings are missing if they were professionally designed. But no one is building buildings based on my design, that’s not their intent. They are technical drawings in feel and style to provide context and perspective on a subject some have difficulty visualizing, especially those new to reenacting and who don’t have much experience with what tents and the space in them look like.
In this episode Ari and I discuss what are the essentials to camping at a weekend event. We share lessons learned on tents, equipment and resources that you will need to survive a medieval weekend. This is only part 1, as there is so much more to talk about. Sorry for the long delay, we hope to get cracking at more episodes on a regular basis. Cheers and keep on re-enacting!
In June I offered members of the household the opportunity to submit questions which I then recorded extemporaneous answers to. If you are interested in submitting a question to the next session, join the household on Patreon. I want to thank my patrons for their support. For as low as $1 denizens of the household not only receive access to member only creative influence, such as this Q&A and a member only discord, but they are supporting the entire Turnip of Terror project. One membership covers the continual maintenance and upkeep of the website, curation of the resource lists, multiple podcasts, event coverage, continual updates on living history and reenactment related interests, reenactor focus articles, product reviews, interviews, videos, and more.
I have an idea for a new audio series, separate from (and in addition to) Turnip Talk and How Two Medieval, and as a test run of the workflow on some new audio software I have narrated one of my oldest articles detailing my thoughts on why I chose the turnip for my heraldry.
Also, though there is some utility in running my irregular thought-project audio files here on the website, I may choose to open up the new project on Anchor, which I am familiar with from H2M and automatically loads the podcast to more feeds than I can keep up with manually. If you cannot find this podcast on your favorite pod-catcher (anything except Apple and Google Podcasts probably) use this RSS feed.
Lets have some fun, time for a Q & A! While I’m always available to field questions, this Q & A will be for members of the household and will be recorded in ‘real time.’ I will read and answer the questions extemporaneously and share the audio & video with June’s monthly newsletter! Submit your questions as private messages on Patreon. Want to see more questions answered, share with your friends!
As I design my dream armor and the elements I want to appear in it, as I suspect everyone does, I have dived into researching the armor, its components, and its features. Before I go further it is important to acknowledge the motivations behind a project such as this. If we, as medieval enthusiasts doing living history and reenactment are going to sink years of our lives in research and development and spend thousands of dollars on solid-steel dress up, we owe it to ourselves not to lose sight of the “why” behind doing it. A resounding love for history and interpreting it is my fundamental motivation to do reenactment and living history generally, and a variety of periods catch my interest. I got my start in 19th-century maritime living history, but I’ve also dabbled in and had exposure to SCA style medieval, 18th century British Fusiliers, WWI, and 16th-century colonialists.
May 10th I was delighted to release a fun community project in the style of the “Don’t Rush Challenge” viral videos. For those who missed the trend, the “pass the brush” and “don’t rush” style videos involved a compilation of multiple contributors who all received an item from off screen, such as a makeup brush, used the brush to cover the camera allowing for a scene cut. When the brush was removed in the second clip, the person was all dolled up in their makeup, and they threw the brush off screen to be “received” by the next person in the compilation. Instead of passing along a makeup brush we passed along an arming cap… but we still got our glam on by switching from our normal clothes to our full harness.