St. Neepolas’s Secret Santa

Here at Neep Manor we have a socially distant, medieval themed Secret Santa! I also have Historic Enterprises, Inc., Gaukler Medieval Wares, and Ylva the Red offering deals for participants!

First, to sign up, there is a google form where you send your name and address. Sign up will be open all weekend, until 23:59 on Sunday the 13th. Monday morning I will handle matching participants and send you your special someone. Then you have all next week to find a medieval themed gift! Lets keep gifts in the $20 – $30 range for fairness’s sake.

So about those deals: each participating business is offering the cost of shipping (up to $15) as store credit for future purchases. Opportunities are limited and are first come, first serve. Members of the household who support on Patreon receive priority in choosing coupons. Send me a PM to receive coupon codes and instructions for the business you want to use.

Happy shopping!

My Favorite Thing Challenge!

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Responding to the challenge of Matt Blazek, Executive Director of History Live North East and The Agincourt Soldier I talk about my favorite living history item, the one thing out of my collection which I love above all others. As part of the rules I have extended this challenge along to Ben and Reece of Pursuing the Knightly Arts!

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Tent Floor Plans: Tentsmiths Conical Tents

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Today we depart from the high brow philosophizing on reenactment for some pragmatic, hard resources which everyone can use without regard for the subjectivity of best practices or proper procedure. In my previous rendition of this series, I drew the drawings on graph paper with a pencil and pen. Revisiting the project I have upgraded to a basic digital drawing platform called LibreCAD. I am not an engineer, architect, or qualified technical designer and I don’t even play one on TV. They say you don’t know what you don’t know, so I can’t even begin to fathom what these drawings are missing if they were professionally designed. But no one is building buildings based on my design, that’s not their intent. They are technical drawings in feel and style to provide context and perspective on a subject some have difficulty visualizing, especially those new to reenacting and who don’t have much experience with what tents and the space in them look like. 

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Researching and Commissioning a New Arm Harness

Featured Image for the article Researching and Commissioning a New Arm Harness on the medieval living history and reenactment resource website The Turnip of Terror.

– 24 minute read, 4,800 words

As I design my dream armor and the elements I want to appear in it, as I suspect everyone does, I have dived into researching the armor, its components, and its features. Before I go further it is important to acknowledge the motivations behind a project such as this. If we, as medieval enthusiasts doing living history and reenactment are going to sink years of our lives in research and development and spend thousands of dollars on solid-steel dress up, we owe it to ourselves not to lose sight of the “why” behind doing it. A resounding love for history and interpreting it is my fundamental motivation to do reenactment and living history generally, and a variety of periods catch my interest. I got my start in 19th-century maritime living history, but I’ve also dabbled in and had exposure to SCA style medieval, 18th century British Fusiliers, WWI, and 16th-century colonialists.

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Settling vs. Good Enough for Now

Featured Image for the Settling vs. Good Enough for Now Article on the medieval reenactment and living history resource website The Turnip of Terror

In the pursuit of a high-quality commoner impression of an authentic, accurate, and gossip-worthy yeoman it is conservative to say one could spend many thousands of dollars to achieve the look, fit, and feel desired. From there it spirals when one looks into the costs of equipping one’s self in the martial accouterments of well-equipped archer or man at arms. Even barring the idea of filling up an entire encampment if one then looks into a minor gentry or even noble impression and the costs of custom harnesses made my preeminent armorers, horses and their tack, sumptuous soft kit with all the fur-trimmed and gilded extravagances imaginable the sum of tens of thousands of dollars can be spent in the reenactment of medieval living history. Some never spend this much. Few drop this much cash from the start. For most this is an investment accruing in smaller purchases over a lifetime of enjoyment in the hobby. Which means for most of us purchase decisions are either long saved for items, concessions, or placeholders for future upgrades. This article addresses the latter and to some extent its preceding, option.

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Unique Portrayals (I.E. Why I Don’t Want to Be A Specific Person)

Featured Image for the article Why I Don't Want to Be a Specific Person for the Medieval Reenactment and Living History Resource The Turnip of Terror

When putting together a living history impression one must consider multiple elements, to include material culture as well as knowledge and skills. Each element must be judged on its own for accuracy and authenticity (a conversation for another article) and has to be relevant and coherent to the other elements worn, demonstrated, presented, or carried with the rest. The amount of effort the living history community will invest to reproduce the minutiae on historical elements is dizzying. From the choice of materials to the method of construction incalculable amounts of time and resources are spent on ensuring everything is correct for its place in time and purpose. Though the conversations continue about various shades of the authenticity versus accuracy subject, the subtext of what the community strives for is to have a reasonable aesthetic passable for normal in the time and place we portray. Our material culture should support this underlying goal. In everything I portray, my goal is: if I, in my living history kit, were to be flung back in time to the 1400s, I could walk down the streets of Nantwich or across the battlefield at Shrewsbury and (as long as I did not say anything, I do not speak Middle English) not raise a single eyebrow or garner a curious glance by looking out of place.

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Red Carpet: DoK 2019

Featured Image Sword Over Head for the Medieval Reenactment and Living History Resource The Turnip of Terror

Online retailers of living history and reenactment clothing have photos of their products, but you are limited to the photos they provide to get an idea of what the look of the garment will be. Depending on the retailer, those photos can be of variable usefulness. The photos may be of the garment alone, hanging or lying down, or on the models they have available to them. The Red Carpet series provides more context for what certain items of gear look like on individuals by taking photos of people in their living history gear with a detailed guide of what they have, where they got them, or how they made them.

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Overhaul – Rapa Armorial

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Featured Image - Rapa ArmorialWhen reviewing all the links in the Turnip Patch Emporium of Useful Tools as I do monthly, I decided to give the Armorial a review, which I don’t regularly do. Going over it I found it to have a number of structural problems and formatting issues. Apart from basic inelegance, which I always try to avoid, it was not displaying properly on mobile devices. My ability to use the editor here on WordPress has improved drastically since I first made the Armorial, so I went through and spent the last few days rebuilding it from the ground up. It now displays on both desktop and mobile devices, those who have websites are properly linked, those who are missing from it have been emailed for copies of their arms to add to the rolls, and the entire list has been alphabetized. Enjoy.

A Research Exercise: Behind the Name

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Creating a living history impression requires generating some sense of place and purpose in the historical context the impression originates from. In my efforts to create an appropriate and authentic impression I have developed a characterization of the impression I portray, short of an SCA level persona. Part of this journey was developing the unique armorial and nom de plume I write these articles under, The Turnip of Terror. Among my colleagues, at events, or in the lists I go by my actual name. As my preference is third-person portrayal when doing living history presentations I have not developed a name for my impression outside of the ToT moniker and for many years now it had not occurred to me this may be an issue. And, since I do lean toward third-person presentation, it still may not be an issue.

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